33 is the first episode of the Battlestar Galactica (2004 Series) , immediately following the events of the miniseries. It was written by series creator Ronald D. Moore, and directed by Michael Rymer. 33 originally aired on Sky One in the United Kingdom on October 18, 2004, and subsequently aired on the Sci Fi Channel in the United States on January 14, 2005.

33 follows Galactica and her civilian fleet as they are forced to contend with constant Cylon pursuit for days without sleep. The episode was lauded by both cast and crew, in addition to winning the 2005 Hugo Award for Best Dramatic Presentation, Short Form.


Having fled the besieged Ragnar Anchorage following the Fall of the Twelve Colonies, the convoy of refugee starships is relentlessly pursued and attacked by Cylon Basestar. The fleet must execute a faster-than-light jump every 33 minutes to escape the Cylons, who consistently arrive at the new jump coordinates approximately 33 minutes later. After five days and 237 jumps, the fleet's crew and passengers, particularly those aboard Galactica, have been operating without sleep while facing the strain of nearly constant military action. After an update of the survivor headcount (discounting 300 over-counted), the President's whiteboard total is reduced to 49,998 souls.

Meanwhile, on Caprica, Lieutenant Karl "Helo" Agathon fails to elude Cylon patrols and is captured and taken prisoner by a Number Six. Helo is "rescued" from his Cylon captors by a Number Eight in the guise of his crewmate Sharon "Boomer" Valerii.

Back at the fleet, the Olympic Carrier, a commercial passenger vessel with 1,345 souls aboard, is missing and may have been left behind during the 238th consecutive jump. With the ship assumed lost to the Cylons, the attacks unexpectedly cease, allowing the fleet some respite. Three hours later however, the Olympic Carrier suddenly rejoins the fleet. Gaius Baltar, convinced by his internal version of Number Six, convinces President Laura Roslin that the ship may have been infiltrated with Cylons and now poses a threat to the fleet's safety. When the Olympic Carrier s return the Cylon attacks resume 33 minutes after. Galactica also detects active nuclear weapons aboard the passenger liner, which has begun to disregard orders from Commander William Adama. President Roslin and Commander Adama order Captain Lee "Apollo" Adama and Lieutenant Kara "Starbuck" Thrace to destroy it. After hesitating to fire on what is ostensibly a civilian ship, the colonial officers destroy the ship while the rest of the colonial fleet jumps away. Baltar's internal Number Six explains to him that that God is looking after his interests, implying that Dr. Amarak (a scientist on the Olympic Carrier That urgently tried to contact Roslin) had knowledge of Baltar's unwitting collusion with the Cylon attack on the colonies.

After the fleet's last jump the Cylons do not return. The President's survivor whiteboard aboard Colonial One is updated with one additional soul (to 47,973) with the birth of the fleet's first child aboard the Rising Star—a boy.







Vehicles and vesselsEdit

Behind the scenesEdit


Preparing for production of Battlestar Galactica's first season, writer and series creator Ronald D. Moore wrote a short list of potential storylines, one of which was "the fleet jumps every 33 minutes; because the Cylons are relentlessly pursuing them, the crew gets no sleep."[1] Conferring with fellow executive producer David Eick, the two decided that this story would be "the best way to kick off the season".[1] Moore described writing "33" as a great experience; he wrote the whole script without a story outline or much structure, excited to begin the first episode of the first season and start the first year already "at the end of the road".[2] Moore wrote the episode over his Christmas break before the series was officially picked up; he later claimed that this aspect was what made the episode "one of the more fun projects that [he] wrote all of the first season."[1]

David Eick found the episode to be a "standalone concept" that didn't require having seen the miniseries to understand it. Because the miniseries ended "at a very happy place", starting the series in the middle of a crisis without explanation, and showing the audience that "actually, while you—the audience—were away, really bad things have been happening" made for a much more intriguing and interesting story.[1] 33's complex storyline was a harbinger for episodes to come, and laid the groundwork with the network and audiences alike.[1]

Moore explained on his blog that the number 33 had no hidden meaning or significance, only that he felt it sufficiently long to allow minor functions like snacking, showering, or cat napping, but was too short to allow anybody to gain any meaningful sleep and recharge their batteries. Further, Moore intentionally gave the number no meaning to avoid creating and inserting unnecessary technobabble into a drama-driven episode.[2]


33 was directed by Michael Rymer who had previously directed the Battlestar Galactica mini-series in 2003. He accepted the job without reading the script, saying that based on his writing experience, "33" went well beyond his expectations and excited him.[1] Bear McCreary originally composed the musical theme "Boomer Theme" for this episode; it was later expanded for use with Sharon Agathon, before becoming the de facto "Hera Theme" for the character Hera Agathon in the fourth season episode, "Islanded in a Stream of Stars".[3]Stephen McNutt was the director of photography for the miniseries, but when Eick learned he was unavailable for the series, with whom he had worked on American Gothic. In the interim, McNutt had moved on to shooting in high-definition video; this was fortuitous for the production team because, while Ransom had filmed the miniseries on 35 mm film, the production team was switching to high-definition video for the series.[1]

Executive producer David Eick opined that 33 was the "silver bullet" that ultimately tipped the scales in their favor and convinced the Sci Fi Channel to pick up the series. The network's biggest concern in picking up the series was that Battlestar Galactica would fall victim to the same trappings of space opera as other television properties (Star Trek, Andromeda, Stargate). Two aspects that assuaged these concerns were specifically discussed in the episode's DVD commentary. First, 33 went into Gaius Baltar's (James Callis) mind and visited his house on Caprica (shot in Lions Bay, British Columbia);[1] being swept away by the blue skies and beaches in his fantasy was not the sort of imagery expected of space opera-type shows. Second was going back to the devastated Caprica and following-up with Helo's (Tahmoh Penikett) story.[1]

With sleep deprivation one of the major plot points of the episode, actor Edward James Olmos (William Adama) liaised with an expert on the subject and the crew to best depict the actual effects realistically. Following up, director Michael Rymer gave each main cast member a specific symptom to play up, so as to avoid repetition on screen. Olmos and several other cast members took their study a step further, to immerse themselves by restricting their sleep patterns to about three hours a night to emphasize what their expert was imparting.[1][4]

In the episode's DVD commentary, Moore and Rymer related how there were endless discussion about the clocks to feature in this episode. Concerns over digital versus analog, size and shape, the ratio of digital to analog clocks, whether they should run forwards or backwards, and whether any labels should be stenciled or hand-drawn were all brought up. David Eick also noted that as of the commentary's recording, the clock at Felix Gaeta's (Alessandro Juliani) station still had its 33 label affixed.[1]


The first cut of 33 was ten minutes too long. Despite this, the production crew took extra care not to eliminate "human moments" in their efforts to trim the episode. These included a shot of Galen Tyrol (Aaron Douglas) and Cally Henderson (Nicki Clyne) walking across Galactica's hangar bay, a shot of Crewman Socinus (Alonso Oyarzun) giving a bedraggled look over the shoulder of another crewmember, and a shot of Anastasia Dualla (Kandyse McClure) walking through Galactica's remembrance corridor.[1]

In a question-and-answer session, Moore revealed a scene written for, but cut from, the episode. In the cut scene, the recurring prop in the characters' briefing room was to have been explicitly introduced and explained; the prop remained in the series, but its back-story was cut.[5]

There was a scene cut from 33 where we saw Laura being given her copy of the photo along with a card that said it was taken on the roof of the capitol building on Aerilon during the attack. The photo was inspired by the famous shot of the fire-fighters raising the flag at Ground Zero that became iconic. I thought the Colonies would have their own version of this -- a snapshot taken in the moment that becomes a symbol of the day they can never forget and of all they had lost. The photo itself is of a soldier falling to his knees (possibly shot or simply overcome by emotion) as he stands on the rooftop over looking the devastation of his city, while the Colonial flag waves at the edge of frame. The inscription below the photo on Laura's plaque reads, "Lest We Forget" in itself a reference to the inscription on the watch presented to John Wayne's character in "She Wore a Yellow Ribbon."

Other cut scenes included one shot in the pilots' head, showing the pilots "wrecked and exhausted [...] with an exchange between Starbuck and Apollo",[1] as well as several shots of Commander Adama (Olmos) gagging and vomiting because of acid reflux brought on by sleep deprivation.[1] Another line of Olmos'—an ad-lib about suicides in the fleet—was cut so as not to alienate audiences by being "too dark".[1]

As originally written and shot, when Apollo (Jamie Bamber) fires on the Olympic Carrier, it was made clear that he sees people inside. Moore wrote the scene to be strong and clear that the characters were making the decision to fire on the passenger liner in full awareness of the consequences to illustrate and emphasize "the uncompromising nature of the show." This was an "enormous fight" between Moore and the network, with the latter feeling this was another scene that was "too dark" and had the potential to turn away audiences; the network further implied that if the scene were left intact, they may have been compelled to air the episodes out of order. To placate the network, Moore and Eick changed the ending of the episode and "cheated"; instead, when Apollo flies by the Olympic Carrier, it is unclear whether or not there is anybody inside.[1]

In a "small act of defiance", visual effects supervisor Gary Hutzel snuck in small, indeterminate movement behind one or two of the Olympic Carrier's windows on behalf of the production and writing teams.[1] The episode also originally ended with Helo's escape from the Cylons on Caprica; again tasked by the network to keep the episode from being "too dark", Moore wrote in an additional scene—President Roslin (Mary McDonnell) learning of the newborn—upon which to end the episode on a hopeful note.[1]

Release and receptionEdit

"33" first aired in the United Kingdom on 18 October 2004,[6] and in the United States on 14 January 2005,[7] almost three months later. UK viewers obliged US Battlestar Galactica fans by pirating the episode—uploading Torrents to the Internet—within hours of its Sky One airing.[8]

33 has been released thrice on home video as part of the first season collected sets; on 26 July 2005 as a Best Buy exclusive, again on 20 September 2005, and finally as an HD DVD set on 4 December 2007. The episode was also released on 28 July 2009 as part of the entire series' home video set on both DVD and Blu-ray Disc.[9]

Both series creator Ronald D. Moore and star Jamie Bamber claim 33 as their favourite episode. Bamber described it as "...the perfect episode of Battlestar Galactica." Emphasizing the dark, gritty, and nightmarish aspects of the episode, the actor felt it was a microcosm of the series as a whole.[10] In a March 2009 interview with the Los Angeles Times, Moore opined that the episode was a "fantastic way to open that first year."[11]

33 won the 2005 Hugo Award for Best Dramatic Presentation, Short Form,[12] and drew a 2.6 household Nielsen rating, attracting 3.1 million viewers and making it the #2 program on cable (8pm-11pm).[13] as of March, 2010, members of the user-contributed television review sites the Internet Movie Database and rated 33 at 8.4 and 9.2 (rated "Superb") out of 10 respectively.[14][15] At the website Television Without Pity, the staff review rated the episode an "A+", while (as of March 2010) 450 of their readers awarded it an average grade of "B".[16] The New York Post's "10 Most Dramatic Moments of the ’00s" included "33" in its #10 spot, describing it as the premiere episode of "a sci-fi show with high stakes and serious guts."[17]


  1. 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 DVD commentary for 33, Season 1 boxset.
  2. 2.0 2.1 Ronald D. Moore's Sci Fi Channel blog - [T]he mystery of 33 will be permanent on this show. No explanation, not even the attempt. Let it just be a number that seemed like an eternity for five long days on the battlestar Galactica.
  3. Bear McCreary's Battlestar blog
  4. Battlestar Galactica: The Official Companion
  5. Ronald D. Moore's Sci Fi Channel blog
  6. Sky One finds the outlandish once more in its schedules
  7. TV Guide listing from
  8. Will Copyright Holders Lose the Pirate Booty?
  9. - Release Information for Battlestar Galactica
  10. magazine ACED Magazine Battlestar Galactica: Cast Interviews
  11. 'Battlestar Galactica' finale: interview with Ron Moore, Los Angeles Times
  12. The Hugo Awards - 2005 Hugo Awards
  13. Viewers Embrace SCI FI's 'Galactica', The Futon Critic
  14. "Battlestar Galactica" 33 (2004)
  15. Battlestar Galactica (2003): 33 -
  16. Television Without Pity
  17. Drama Mama: The 10 Most Dramatic Moments of the ’00s, New York Post

External links Edit